Introducing EVO DPX

Purpose-built shared storage for demanding grading, compositing, and finishing workflows.

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Using DPX and OpenEXR with shared storage used to mean huge investments, workflow directors, and exotic file systems.

Not anymore.

Qualified for 16-bit 4K DPX

EVO DPX supports 16-bit 4K (4096 x 2160) DPX at 30fps right out of the box.

A system with only 8 disks can handle real-world workloads of ~3,000 megabytes/s aggregate.

Powered by enterprise class SSDs

EVO DPX includes ultra high performance, high write endurance SSDs that help to deliver incredible throughput to colorists, VFX artists, and editors.

Supports Windows, Linux, and Mac

EVO DPX enables your team to work and collaborate across multiple OSes. You can have a VFX artist on Linux, a DaVinci Resolve colorist on Windows, and Premiere Pro editors on Mac all working from the same storage system.

Built-in 25Gb Ethernet connectivity

Stream DPX/EXR and multiple streams of ProRes or other media over 25Gb Ethernet. In many cases you can even directly connect your workstations to EVO, no switch required.

Netflix deliverables? No problem.

EVO DPX is qualified for up to 16-bit 4K DCI DPX and EXR @ 30fps. Perfect for handling demanding workflows like the ones required by Netflix.

And that’s not all…

EVO DPX can be custom configured for even higher workloads than you see here, and options for 50Gb Ethernet connectivity are available.

Effortlessly handle high-resolution 10, 12, and 16-bit image sequences.

Workflow harmony.

It’s now easier than ever to incorporate your DPX and OpenEXR workflows into a shared environment, alongside motion graphics and edit suites running Premiere Pro, Avid, or FCP X.

Focus on productivity.

By enabling real-time editing directly over the storage network, EVO eliminates the need for standalone RAIDs or individual drives for multiple workstations. This, in turn, eliminates the need to endlessly shuffle huge files. Editors, colorists, and other artists spend less time waiting and more time getting things done.

EVO DPX At-a-Glance

Performance

  • Supports up to 16-bit 4K (DCI) DPX/EXR @ 30fps
  • 3GBytes/s system throughput (aggregate read)

Capacity

  • Up to 32TB (8 x 4TB SSD) included
  • Supports up to 24 x 4TB SSD

Built-in Connectivity

  • Includes 2 x 1Gb Ethernet (expandable)
  • Includes 2 x 10Gb Ethernet (expandable)
  • Includes 1 x 25Gb Ethernet (expandable)
  • Other configurations of 1/10/25/50GbE available

Enhanced Features

    EVO is loaded with features built to improve shared media workflows. To learn more about EVO features, click here.

Drives

  • Includes 8 x High Endurance Data Center SSDs
  • Supports up to 24 x SSD (6Gb/s SATA or 12Gb/s SAS)

Software Included

    Unlimited licenses of ShareBrowser media management software

Windows, Linux, Mac Supported

    EVO DPX can be used with multiple operating systems, and you can use any or all of these platforms with EVO.

Operating System

    Powered by EVO OS v.6.1
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Performance is flawless for all our users, whether they are on Avid Media Composer, DaVinci Resolve, or our VFX workstations.

Gaby Feghali, Managing Director at Montage Post Production

See what else our customers are saying…

Ignition Productions Uses EVO for On-Location Coverage with Red Bull TV

Ignition Productions was awarded the contract to cover the 2017 Dakar Rally for Red Bull TV—a daily behind-the-scenes show of the world's toughest Motorsport event. They had to shoot over 13 days of competition across three countries, in some of the harshest conditions imaginable, with temperatures ranging from 122°F to near freezing, sometimes in altitudes over 3500m, an extreme feat for even the most adventurous crews.

Texas Christian University Drafts EVO For A New Sports Video Team

After months of research and evaluating products, TCU decided on the EVO 16 Bay Shared Storage Server. “EVO and its ShareBrowser software allows us to log our footage and add metadata, and it’s all searchable,” says Salters. Each EVO system includes unlimited licenses of ShareBrowser, an intuitive asset management software that lets search, tag, index, and preview media across all of their storage — something that was vital for the TCU team.

Dale Earnhardt Jr.’s Production Company Turns to EVO for High-Speed Post Workflow

Launched in 2004, Hammerhead’s initial purpose was to give Dale Earnhardt Jr., NASCAR’s Most Popular Driver every year since 2003, more creative control over his personal brand. But just as Junior doesn’t just “race cars,” Hammerhead Entertainment doesn’t just “film endorsements.” The studio is creating branded content for a variety of clients — from the National Guard to Nickelodeon and PepsiCo to Penske.

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