September 15-19, 2017 — Visit us at RAI, Amsterdam

SCHEDULE A MEETING WITH US DURING IBC @ STAND #7.H40

We’ve redesigned the hardware architecture of our flagship EVO models, made massive strides in performance for demanding workflows, added file automation tools, a developer API, dozens of improvements to ShareBrowser MAM, and much, much more.

Complete the form to schedule a meeting to meet one of our workflow experts at IBC 2017!

    NEW AT IBC 2017

  • Major NAS performance increases for 4K/6K/8K workflows
  • RAID support for next generation enterprise class SSD (6Gb/s and 12Gb/s)
  • New 12Gb/s SAS architecture
  • New 40GbE and 25GbE Ethernet support
  • LTO right-click-to-archive with StorageDNA
  • New web client for ShareBrowser (HTML5)
  • Adjustable bandwidth throttling for ShareBrowser file transfers
  • Slingshot integration with Amazon S3 and Glacier
  • File automation – transfer, copy, transcode & more
  • Advanced API for developers and integrators


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RECENT POSTS

2018 End of Year Specials

Unmatched Shared Storage. Unbeatable Prices.

Save on some of our most popular EVO systems until December 31st.

Every system includes unlimited built-in media management software, file automation, cloud integration, and collaborative features for Adobe, FCP X, Avid, and Resolve.

Yes, Even Small Teams Can Benefit from Using Shared Storage

Small studio camera with monitor and shotgun microphone

Footage is footage.

Whether it’s a major motion picture, a regional commercial, independent film, or anything in-between, the amount of media captured for any particular project can balloon from a few takes to filling multiple drives almost immediately. In just a few months, even a basic HD camera will have recorded massive amounts of video and audio.

For many small teams, organizing these files means using a new external hard drive for each project to organize after capture. This is an attractive approach at first, particularly with the price-per-terabyte of consumer-level drives at an all-time low. However, in practice, what seems cost effective on the surface can quickly become an unmanageable library of drives all sitting with varied amounts of unused space.

Introducing EVO v6 and ShareBrowser v5

Image showing the EVO v6 hardware lineup and the latest updates to ShareBrowser, including AI autotagging, ShareBrowser for Adobe Premiere Pro, and export to DaVinci Resolve.

These new releases represent the culmination of our 20-plus-years commitment to redefining the way creative professionals interact with their storage and media. We’ve helped hundreds of thousands of people realize a better way to work, and all of their experiences have helped shape EVO and ShareBrowser into the products they are today.

For the latest versions, we dug deep into the operating system, obsessed over every hardware component, deepened our integrations with your favorite creative applications, and added dozens of new features and improvements designed to help you store, share, and collaborate better. We hope you love it as much as we do.

CASE STUDIES

Central Post LA Chooses EVO to Enable Dolby Atmos Mixing & QC Workflows

Central Post LA has four control rooms, three recording spaces, and three full edit suites running Avid Media Composer, Adobe Premiere, and a DaVinci Resolve coloring suite. CPLA is equipped for something you won't find in many other facilities—Dolby Atmos for Home nearfield mixing—a service they increasingly provide for network, streaming, premium cable, and corporate clients.

Bipolar Studio Builds Award-Winning VR Experiences with EVO

When Bipolar Studio started to expand their capabilities to include things like 8K & 10K resolutions and 32-bit VR CGI, they knew it would be impossible without the right shared storage solution. They needed a server that could not only help them get over the roadblocks in their current workflow but help them fully realize their potential.

Microsoft’s Channel 9 Studio Using EVO and TriCaster

Microsoft's Channel 9 is a full-blown production studio with over 3 million unique viewers every month. They deliver upwards of 100 videos in a given week, and they use EVO so that all of their raw footage, Premiere projects, graphics, and finished shows are safe and available from any machine, at any of their edit stations.