Earlier this year, we launched the ShareBrowser Panel, a new way for teams to manage media and interact with their storage systems from inside of Premiere and After Effects.
The ShareBrowser panel brings all of your files, metadata, and bins seamlessly into your Premiere Pro or After Effects projects. If you’re already using ShareBrowser, you know how valuable metadata can be—especially when you’re always digging through Broll and stock footage libraries or trying to find finished projects after they’ve been delivered or even after they’ve been sent to archive. But there are also a few neat tricks you can use to take advantage of the metadata you’re entering into ShareBrowser. Like search bins.
ShareBrowser 5.0.3 is here! With it comes new ways to work inside of Final Cut Pro X and Adobe After Effects, support for audio file previews, new ways to explore media, and better ways to manage third party NAS storage and keep track of your cloud backups in Amazon S3.
Today, we’re very excited to announce the release of the ShareBrowser workflow extension for Final Cut Pro X! It’s designed to fit natively into your workflow and make it easier than ever for your team to collaborate and manage media in a multi-user editing environment.
We’ve been busy putting the final touches on what’s sure to be a favorite feature among our crowd of FCPX fans, and our brand new extension is now available for EVO users to download in the app store. Check out the video and read below to see exactly what ShareBrowser can do for your team’s FCPX workflow.
When Avatar was released in December of 2009, it was the most expensive movie ever made, in total budget and total storage costs. The VFX team needed over 1 petabyte (PB) of storage to complete the film—which out of a 162m runtime, was 60% CGI—and it wasn’t even shot in 4K. Five years later, in 2014 The Amazing Spider-Man 2 more than doubled that and generated roughly 2.4PB during the process of scanning 1.5 million feet of 35mm film to 4K.
Today, it’s relatively common for a feature production to surpass the 1PB mark, and even boutique production companies and corporate video teams are buying hundreds of terabytes worth of media storage. When almost all of the popular DSLR cameras and even cell phones are capable of shooting 4K, it’s no surprise that we see it in video workflows outside of film and TV. Even if you’re not working on a blockbuster with a $300m budget, the growing prevalence of 4K, HDR, HFR, and other in-demand formats is being felt everywhere, especially on storage. That’s why it’s more important than ever to consider your workflow and infrastructure carefully so that you can get the most out of your 4K shared storage investment.
The wait is finally over. Just 6 years since the release of the last Mac Pro, lovingly dubbed “The Trashcan,” Apple has announced a brand new Mac Pro that harkens back to the original 2006 version. The new Mac Pro pays fromage to the cheese-grater design of its predecessor, but there’s nothing cheesy under the hood. In fact, the Mac Pro announced at WWDC marks a significant turning point in Apple’s quest to win back the post-production and VFX professionals.