June 8-14, 2019 — Visit us at Infocomm 2019

Infocomm 2019
Orlando, FL
June 8-14

Join us at Infocomm to learn how EVO and ShareBrowser power a variety of AV workflows.

Schedule a Meeting

Show Dates

June 8-14

Location

Orlando, FL

What We’re Showcasing

NDI Workflows in the Office

Learn how shared storage and media asset management play an important role in capturing, storing, and reviewing meeting recordings and other video assets.

Connected Campuses

See how EVO can help you capture record video from anywhere on campus to secure shared storage.

Improved Event Production Workflows

Drive digital signage and video walls, capture media to high-speed secure storage, and get content from production to post quicker than ever before.

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RECENT POSTS

Introducing ShareBrowser 5.0.3

ShareBrowser 5.0.3 is here! With it comes new ways to work inside of Final Cut Pro X and Adobe After Effects, support for audio file previews, new ways to explore media, and better ways to manage third party NAS storage and keep track of your cloud backups in Amazon S3.

A Tour of the ShareBrowser Workflow Extension for Final Cut Pro X

 
Today, we’re very excited to announce the release of the ShareBrowser workflow extension for Final Cut Pro X! It’s designed to fit natively into your workflow and make it easier than ever for your team to collaborate and manage media in a multi-user editing environment.

We’ve been busy putting the final touches on what’s sure to be a favorite feature among our crowd of FCPX fans, and our brand new extension is now available for EVO users to download in the app store. Check out the video and read below to see exactly what ShareBrowser can do for your team’s FCPX workflow.

4K Shared Storage — Considerations for Post, Color, VFX, and Archive

When Avatar was released in December of 2009, it was the most expensive movie ever made, in total budget and total storage costs. The VFX team needed over 1 petabyte (PB) of storage to complete the film—which out of a 162m runtime, was 60% CGI—and it wasn’t even shot in 4K. Five years later, in 2014 The Amazing Spider-Man 2 more than doubled that and generated roughly 2.4PB during the process of scanning 1.5 million feet of 35mm film to 4K.

Today, it’s relatively common for a feature production to surpass the 1PB mark, and even boutique production companies and corporate video teams are buying hundreds of terabytes worth of media storage. When almost all of the popular DSLR cameras and even cell phones are capable of shooting 4K, it’s no surprise that we see it in video workflows outside of film and TV. Even if you’re not working on a blockbuster with a $300m budget, the growing prevalence of 4K, HDR, HFR, and other in-demand formats is being felt everywhere, especially on storage. That’s why it’s more important than ever to consider your workflow and infrastructure carefully so that you can get the most out of your 4K shared storage investment.

CASE STUDIES