June 18-20, 2019 — Visit us at BroadcastAsia 2019

BroadcastAsia 2019
Singapore
June 18-20
4P1-05

Join us at BroadcastAsia for hands-on demonstrations of the newest features in EVO and ShareBrowser.

Schedule a Meeting

Show Dates

June 18-20

Location

Suntec Singapore

What We’re Showcasing

Enhanced workflows for Adobe, FCP X, Avid, and Resolve

See how EVO works with your favorite NLE. Whether you’re using Premiere Pro, FCP X, Avid, or Resolve, EVO has features designed specifically for your workflow.

Shared Storage for DPX and OpenEXR

Get hands-on with EVO DPX, our highest performance EVO system yet.

New ShareBrowser Features

See the latest updates to ShareBrowser, including customizable metadata fields, extended file support for previews, and new integrations for Adobe Premiere Pro, Final Cut Pro X, and After Effects.

Major Updates to Slingshot

Learn how new features in Slingshot can help streamline your team’s storage management with copy, sync, and backup tasks.

AI Autotagging

Discover how teams of all sizes can take eliminate hours of manual metadata logging with AI in ShareBrowser.

Scale-out Clustering for EVO Nearline

Learn about the latest updates coming to our EVO Nearline storage tier.


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RECENT POSTS

Introducing ShareBrowser 5.0.3

ShareBrowser 5.0.3 is here! With it comes new ways to work inside of Final Cut Pro X and Adobe After Effects, support for audio file previews, new ways to explore media, and better ways to manage third party NAS storage and keep track of your cloud backups in Amazon S3.

A Tour of the ShareBrowser Workflow Extension for Final Cut Pro X

 
Today, we’re very excited to announce the release of the ShareBrowser workflow extension for Final Cut Pro X! It’s designed to fit natively into your workflow and make it easier than ever for your team to collaborate and manage media in a multi-user editing environment.

We’ve been busy putting the final touches on what’s sure to be a favorite feature among our crowd of FCPX fans, and our brand new extension is now available for EVO users to download in the app store. Check out the video and read below to see exactly what ShareBrowser can do for your team’s FCPX workflow.

4K Shared Storage — Considerations for Post, Color, VFX, and Archive

When Avatar was released in December of 2009, it was the most expensive movie ever made, in total budget and total storage costs. The VFX team needed over 1 petabyte (PB) of storage to complete the film—which out of a 162m runtime, was 60% CGI—and it wasn’t even shot in 4K. Five years later, in 2014 The Amazing Spider-Man 2 more than doubled that and generated roughly 2.4PB during the process of scanning 1.5 million feet of 35mm film to 4K.

Today, it’s relatively common for a feature production to surpass the 1PB mark, and even boutique production companies and corporate video teams are buying hundreds of terabytes worth of media storage. When almost all of the popular DSLR cameras and even cell phones are capable of shooting 4K, it’s no surprise that we see it in video workflows outside of film and TV. Even if you’re not working on a blockbuster with a $300m budget, the growing prevalence of 4K, HDR, HFR, and other in-demand formats is being felt everywhere, especially on storage. That’s why it’s more important than ever to consider your workflow and infrastructure carefully so that you can get the most out of your 4K shared storage investment.

CASE STUDIES