With their new EVO in place, the editors, designers, and producers at Creative Liquid can now work directly from a centralized location with access to all of their digital assets. They can collaborate on projects more efficiently, and they've taken back hundreds of hours of time that used to be spent waiting for files to transfer, shuttling drives back and forth from edit bays, and working around lengthy processes.
The BCM studio is setup to enable any workstation to work on any application, and every room in the facility allows for 4K & HD output. All of the workstations are connected via 10Gb Ethernet and GbE to the EVO server array, which is housed in the studio's equipment room. Many of their projects are edited on Adobe Premiere Pro. "Being able to protect our projects is big," says Biscardi. "More than anything it's huge peace of mind. The project locking is taking care of the kinds of things you don't want to think about while you're working."
Ever get that feeling no one can really relate to the problem you're having? Well, you might be happy to know that we hear from editors all day long — some from huge companies, and others from newly formed teams — and there's definitely a pattern: Without the right storage solution in place there are several common challenges that come up time and again from potential new customers. We created this two minute animation to identify the six most common problems workgroups face, and to give an introduction to the workflow problems that can be solved with the EVO shared storage system.
Life Church"s vision is to serve people, develop leaders and impact generations in a dynamic and diverse environment that emphasizes community and bridging divisions. The Siebelings wanted a vibrant ministry that would speak to the needs of a new generation, and one of Life Church"s core values is creativity. Life Church has embraced that value by making video a primary channel for its message, and employing a full-time creative staff that collaborates through the EVO platform.
Park Slope Productions is an award-winning producer of original programming for the likes of OWN, TLC and MTV, and knows what it takes to create engaging television. The production house pores over hundreds of new programming ideas all the time. So when an associate producer came upon a family of nine living "off the grid" in the rugged Alaskan wilderness, the Park Slope team knew it had found something unique.
NRG's extensive and diverse group of clientele requires a high degree of technological organization, stability, security and efficiency. Bringing EVO on board allowed NRG to re-imagine their entire workflow from tracking to backup, all tied together seamlessly under one system.
Choosing the right solution to enhance their Avid based workflow and fit their budget was a task not taken lightly by ZigZag Post. The decision paid off as SNS EVO expanded their production capabilities right out of the box, allowing editors to focus on their creativity.
With its recent five Emmy Award wins and a record-setting 46 Telly Awards under its belt, the Rams Broadcasting Network (RBN) has a lot on its roster for the season. The production team at RBN, built in 2010, produces this award-winning content for the St Louis Rams Football team, including three television shows, web content for stlouisrams.com and all the in-game entertainment. When RBN needed a faster, more efficient workflow to better manage their growing production needs, they looked no further than their own backyard to St. Louis based Studio Network Solutions (SNS) and SNS EVO Shared Storage Server. Throughout the 20-week season, an enormous amount of footage is shot including each and every Rams game. Much of that footage is used for the production of RBN’s in-house television shows including the critically acclaimed Rams 360. The weekly documentary-style show recently won three Emmy awards including Best Show in Sports, Audio-Live or Post Production, Editor-Sports. “EVO has been essential to increasing our productivity,” Stated Chris Slepokura, Video Manager. “Rams 360 has a very intensive workflow and we are a small team, seven people. We are often working on separate features of each show at the same time. EVO fit our budget and gave us the extra storage space to ingest and pull from so our team can easily access our media assets simultaneously.”
Specialized Bicycle Components Enlists EVO Shared Storage Server to Enable Collaborative Workflow All Roads Lead to Awesome, the tagline for the Specialized Road bike collection, could easily be referring to the video content produced for its website. Specialized Bicycle Components, Inc., more commonly known simply as Specialized, is the global leader in designing and manufacturing high performing bicycles, cycling components and apparel. Click on any page of Specialized’s website, www.specialized.com, and you’ll find loads of information, stories, resources and rich media content brilliantly representing the Specialized brand which signifies both advanced technology as well as a strong and growing community made up of world-class cycling champions and enthusiasts. Amazingly, a small team of in-house production professionals produces all of this content, which consists of upward of 200 videos per year and loads of images. Their biggest challenge is how to manage and store all of these growing assets. When they needed a solution to better streamline their production workflow, Specialized turned to SNS EVO shared storage server. “Though we produce an enormous amount of high-quality content, it’s not a traditional production house,” stated Aaron Vogel, Video Specialist, Specialized. “I started as a one man band under our Web department working off direct connect hard drives to a Mac tower. It was fine when it was only myself but as we’ve expanded our production team, the need for sharing capabilities has become much more necessary.” Specialized workflow had one major business problem, organization. The workflow consisted of three Mac workstations running entirely Apple FCPX and direct-connect storage. To solve the organizational problem they brought in CatDV for media asset management. Then they needed an additional SAN solution to share and organize assets outside of CatDV. But it quickly became apparent that the SAN solution they chose created a new problem, incompatibility. The SAN system would not work with Apple OS X shortcut files that FCPX used to reference media.