The NAB floor opens in just a few days, and with over 1,700 companies exhibiting and over 100,000 attendees, there’s a lot to see. Thankfully, this year, you’ll have more chances than ever to see EVO Shared Storage on the NAB floor.
Choosing the right shared storage server for Adobe Premiere Pro can make or break your post-production pipeline. When a team first makes the switch from sneakernet, they learn that solving their storage and sharing woes can create new organizational problems. We recently did a Facebook live stream with Key Code Media to talk about the best ways to implement a shared workflow so that your team can get the most of out Adobe Premiere Pro using shared storage with integrated media asset management, AI, and automation.
Discover a better shared workflow for Adobe Premiere Pro.Get the latest Adobe Premiere Pro storage configuration guide and learn the ins-and-outs of setting up shared storage for Premiere Pro, and how to leverage the workflow features used by companies like MasterClass, Microsoft, and more.You'll learn about:Getting the most out of the Premiere Pro
Launched in 2004, Hammerhead’s initial purpose was to give Dale Earnhardt Jr., NASCAR’s Most Popular Driver every year since 2003, more creative control over his personal brand. But just as Junior doesn’t just “race cars,” Hammerhead Entertainment doesn’t just “film endorsements.” The studio is creating branded content for a variety of clients — from the National Guard to Nickelodeon and PepsiCo to Penske.
The team at Bait Studio includes between 50-75 artists, and they can be working on 15-20 projects at any given time. Each project requires some combination of animation, visual effects, and/or motion graphics, which requires the use of 12-24 different applications and the ability to render projects 24 hours per day. Some of the primary tools in use by Bait Studio are Maya, Nuke, Houdini, C4D, After Effects, and Premiere, all of which perform flawlessly with EVO.
Gorilla required heavy editing, VFX work, and a fast turnaround time. The production team of six editors, three VFX artists, one Colorist and a Composer needed to easily access project files. With EVO's video project and sharing abilities, the team was able to access their files simultaneously.
With its recent five Emmy Award wins and a record-setting 46 Telly Awards under its belt, the Rams Broadcasting Network (RBN) has a lot on its roster for the season. The production team at RBN, built in 2010, produces this award-winning content for the St Louis Rams Football team, including three television shows, web content for stlouisrams.com and all the in-game entertainment. When RBN needed a faster, more efficient workflow to better manage their growing production needs, they looked no further than their own backyard to St. Louis based Studio Network Solutions (SNS) and SNS EVO Shared Storage Server. Throughout the 20-week season, an enormous amount of footage is shot including each and every Rams game. Much of that footage is used for the production of RBN’s in-house television shows including the critically acclaimed Rams 360. The weekly documentary-style show recently won three Emmy awards including Best Show in Sports, Audio-Live or Post Production, Editor-Sports. “EVO has been essential to increasing our productivity,” Stated Chris Slepokura, Video Manager. “Rams 360 has a very intensive workflow and we are a small team, seven people. We are often working on separate features of each show at the same time. EVO fit our budget and gave us the extra storage space to ingest and pull from so our team can easily access our media assets simultaneously.”