Nitro Circus is a global sports entertainment company that produces a wide array of live events, docuseries, television programming, and digital content. Founded by action sports icon Travis Pastrana, Nitro Circus began as an excuse to travel the world riding dirt bikes, BASE jumping, and performing crazy stunts. The brand quickly took on a life of its own, spinning into live-action sports competitions complete with screaming fans and multi-camera broadcasts to a massive worldwide audience. Today, Nitro Circus is a bonafide media company with shows airing on multiple networks, while also turning countless hours of digital content for their audience of 25 million fans worldwide.
Post House Creative is a full-service video production and animation boutique. On a recent project for the Columbus Blue Jackets, Post House Creative had an opportunity to try something new. Instead of the usual style frames, storyboarding, and animatics, they went with a hybrid video game/app based on the Unreal Engine called Cine Tracer—a realistic cinematography simulator.
Ignition Productions was awarded the contract to cover the 2017 Dakar Rally for Red Bull TV—a daily behind-the-scenes show of the world's toughest Motorsport event. They had to shoot over 13 days of competition across three countries, in some of the harshest conditions imaginable, with temperatures ranging from 122°F to near freezing, sometimes in altitudes over 3500m, an extreme feat for even the most adventurous crews.
After months of research and evaluating products, TCU decided on the EVO 16 Bay Shared Storage Server. “EVO and its ShareBrowser software allows us to log our footage and add metadata, and it’s all searchable,” says Salters. Each EVO system includes unlimited licenses of ShareBrowser, an intuitive asset management software that lets search, tag, index, and preview media across all of their storage — something that was vital for the TCU team.
Launched in 2004, Hammerhead’s initial purpose was to give Dale Earnhardt Jr., NASCAR’s Most Popular Driver every year since 2003, more creative control over his personal brand. But just as Junior doesn’t just “race cars,” Hammerhead Entertainment doesn’t just “film endorsements.” The studio is creating branded content for a variety of clients — from the National Guard to Nickelodeon and PepsiCo to Penske.
We teamed up with our friends at Ross Video last year to work on something big, for a major cable network, and we’re excited that we can now tell you about (some of) it! Our new XPression + EVO certified storage solution provides large-scale direct-attached Gigabit Ethernet connections to XPression from SNS EVO with performance that offers more streamlined workflows between creative service workgroups and playout, and can scale all the way to multi-channel enterprise environments. (Say that five times fast…)
We’re pleased to announce that we’ve entered into the NewTek Developer Network! Our customers have huge, creative ideas. Our customers work fast, under stomach-churning deadlines, and they only accept uncompromising tools that never get in the way of their flow. Our customers love their EVO storage systems, and they love their TriCasters… So naturally, when we first received our TriCaster we couldn’t wait to set it up and take it for a spin with EVO. (Full disclaimer: We couldn’t resist turning out the lights in our interop lab to bask in the warm glow of the 860’s beautifully illuminated control surface…)
With a presence at virtually every major televised sporting event in America, FOX Sports and Game Creek Video have the hardest working teams in broadcasting. A cast and crew of hundreds come together to turn out the programming millions of viewers see every week including NASCAR, NFL Football, UFC, FIFA World Cup and MLB. With the successful debut of FOX Sports 1, a 24-hour sports network, the number of live broadcasts has vastly increased. To accommodate the growth, FOX Sports needed to boost its production capabilities. So it turned to Studio Network Solutions (SNS). Longtime FOX Sports partner Game Creek Video, a New Hampshire based high- definition mobile production company, has five branded FX HD trucks providing all the remote production for FOX Sports’ live sporting events. The five FOX Sports trucks are 53′ expanding-side high-definition production units and are collectively equipped with audio, video, replay, transmission, production, graphics, tape release/sub-switchers, two Final Cut edit rooms, producer work areas, maintenance, storage, and an HD viewing room. Additionally, each truck comes staffed with a production manager and at least one engineer. “Having SNS EVO in place has been a huge advantage,” stated Keith Martin, Engineer, FX HD, Game Creek Video. “Because everything is happening live we are constantly in a time crunch for a quick turnaround of material. Utilizing the 10GbE ports on the EVO, we can get the whole EVS network in sync as fast as possible and easily share files back and forth between the editors and the replay rooms.”
With its recent five Emmy Award wins and a record-setting 46 Telly Awards under its belt, the Rams Broadcasting Network (RBN) has a lot on its roster for the season. The production team at RBN, built in 2010, produces this award-winning content for the St Louis Rams Football team, including three television shows, web content for stlouisrams.com and all the in-game entertainment. When RBN needed a faster, more efficient workflow to better manage their growing production needs, they looked no further than their own backyard to St. Louis based Studio Network Solutions (SNS) and SNS EVO Shared Storage Server. Throughout the 20-week season, an enormous amount of footage is shot including each and every Rams game. Much of that footage is used for the production of RBN’s in-house television shows including the critically acclaimed Rams 360. The weekly documentary-style show recently won three Emmy awards including Best Show in Sports, Audio-Live or Post Production, Editor-Sports. “EVO has been essential to increasing our productivity,” Stated Chris Slepokura, Video Manager. “Rams 360 has a very intensive workflow and we are a small team, seven people. We are often working on separate features of each show at the same time. EVO fit our budget and gave us the extra storage space to ingest and pull from so our team can easily access our media assets simultaneously.”
Specialized Bicycle Components Enlists EVO Shared Storage Server to Enable Collaborative Workflow All Roads Lead to Awesome, the tagline for the Specialized Road bike collection, could easily be referring to the video content produced for its website. Specialized Bicycle Components, Inc., more commonly known simply as Specialized, is the global leader in designing and manufacturing high performing bicycles, cycling components and apparel. Click on any page of Specialized’s website, www.specialized.com, and you’ll find loads of information, stories, resources and rich media content brilliantly representing the Specialized brand which signifies both advanced technology as well as a strong and growing community made up of world-class cycling champions and enthusiasts. Amazingly, a small team of in-house production professionals produces all of this content, which consists of upward of 200 videos per year and loads of images. Their biggest challenge is how to manage and store all of these growing assets. When they needed a solution to better streamline their production workflow, Specialized turned to SNS EVO shared storage server. “Though we produce an enormous amount of high-quality content, it’s not a traditional production house,” stated Aaron Vogel, Video Specialist, Specialized. “I started as a one man band under our Web department working off direct connect hard drives to a Mac tower. It was fine when it was only myself but as we’ve expanded our production team, the need for sharing capabilities has become much more necessary.” Specialized workflow had one major business problem, organization. The workflow consisted of three Mac workstations running entirely Apple FCPX and direct-connect storage. To solve the organizational problem they brought in CatDV for media asset management. Then they needed an additional SAN solution to share and organize assets outside of CatDV. But it quickly became apparent that the SAN solution they chose created a new problem, incompatibility. The SAN system would not work with Apple OS X shortcut files that FCPX used to reference media.