The team at Bait Studio includes between 50-75 artists, and they can be working on 15-20 projects at any given time. Each project requires some combination of animation, visual effects, and/or motion graphics, which requires the use of 12-24 different applications and the ability to render projects 24 hours per day. Some of the primary tools in use by Bait Studio are Maya, Nuke, Houdini, C4D, After Effects, and Premiere, all of which perform flawlessly with EVO.
The essence of Recording Arts and Science's approach is hands-on immersion. Students record and work with an immense amount of audio content from the conservatory, from solo instrument recitals to full-on orchestral ensembles, in addition to their regular course work in which they are editing, producing, and mastering sound. All of their work is done in one of four primary control rooms, and all of those control rooms are connected to an EVO shared storage media server.
The BCM studio is setup to enable any workstation to work on any application, and every room in the facility allows for 4K & HD output. All of the workstations are connected via 10Gb Ethernet and GbE to the EVO server array, which is housed in the studio's equipment room. Many of their projects are edited on Adobe Premiere Pro. "Being able to protect our projects is big," says Biscardi. "More than anything it's huge peace of mind. The project locking is taking care of the kinds of things you don't want to think about while you're working."
Life Church"s vision is to serve people, develop leaders and impact generations in a dynamic and diverse environment that emphasizes community and bridging divisions. The Siebelings wanted a vibrant ministry that would speak to the needs of a new generation, and one of Life Church"s core values is creativity. Life Church has embraced that value by making video a primary channel for its message, and employing a full-time creative staff that collaborates through the EVO platform.
Park Slope Productions is an award-winning producer of original programming for the likes of OWN, TLC and MTV, and knows what it takes to create engaging television. The production house pores over hundreds of new programming ideas all the time. So when an associate producer came upon a family of nine living "off the grid" in the rugged Alaskan wilderness, the Park Slope team knew it had found something unique.
NRG's extensive and diverse group of clientele requires a high degree of technological organization, stability, security and efficiency. Bringing EVO on board allowed NRG to re-imagine their entire workflow from tracking to backup, all tied together seamlessly under one system.
Choosing the right solution to enhance their Avid based workflow and fit their budget was a task not taken lightly by ZigZag Post. The decision paid off as SNS EVO expanded their production capabilities right out of the box, allowing editors to focus on their creativity.
Gorilla required heavy editing, VFX work, and a fast turnaround time. The production team of six editors, three VFX artists, one Colorist and a Composer needed to easily access project files. With EVO's video project and sharing abilities, the team was able to access their files simultaneously.
Studio Network Solutions’ (SNS) EVO Shared Storage Server Supplies Collaborative and Cost-Efficient Workflow Solution for UK’s Award-Winning Met Film Based at Ealing Studios in London, the oldest continuously working film studio in the world, Met Film Post is one-third of one of the UK’s most remarkable film organizations, Met Film. Met Film combines three leading-edge companies, Met Film School, Met Film Production and Met Film Post. By providing hands-on professional experience for students, award-winning productions and front line post-production technology services, the vanguard organization creates a unique and a symbiotic working setting for aspiring filmmakers and established experts. When Met Film Post needed to make a significant change in their post-production workflow, they turned to SNS EVO to provide a more accessible, collaborative and cost-efficient shared storage solution. “We were looking for a system to replace our Xsan that would allow us to do shared collaborative Avid offline services,” stated Matthew Troughton, Senior Colorist and Online Editor at Met Film Post. “Bringing the EVO on-board allowed us to fully provide Avid offline and online services. Prior to EVO, our editors were not able to work collaboratively on projects in such a developed way. EVO gave us the flexibility we needed and immediately increased our productivity.”
With a presence at virtually every major televised sporting event in America, FOX Sports and Game Creek Video have the hardest working teams in broadcasting. A cast and crew of hundreds come together to turn out the programming millions of viewers see every week including NASCAR, NFL Football, UFC, FIFA World Cup and MLB. With the successful debut of FOX Sports 1, a 24-hour sports network, the number of live broadcasts has vastly increased. To accommodate the growth, FOX Sports needed to boost its production capabilities. So it turned to Studio Network Solutions (SNS). Longtime FOX Sports partner Game Creek Video, a New Hampshire based high- definition mobile production company, has five branded FX HD trucks providing all the remote production for FOX Sports’ live sporting events. The five FOX Sports trucks are 53′ expanding-side high-definition production units and are collectively equipped with audio, video, replay, transmission, production, graphics, tape release/sub-switchers, two Final Cut edit rooms, producer work areas, maintenance, storage, and an HD viewing room. Additionally, each truck comes staffed with a production manager and at least one engineer. “Having SNS EVO in place has been a huge advantage,” stated Keith Martin, Engineer, FX HD, Game Creek Video. “Because everything is happening live we are constantly in a time crunch for a quick turnaround of material. Utilizing the 10GbE ports on the EVO, we can get the whole EVS network in sync as fast as possible and easily share files back and forth between the editors and the replay rooms.”