Post Production

Read how customers use SNS professional shared media storage products in their Post Production workflow.

Biscardi Creative Media is Prepared for Anything with EVO

The BCM studio is setup to enable any workstation to work on any application, and every room in the facility allows for 4K & HD output. All of the workstations are connected via 10Gb Ethernet and GbE to the EVO server array, which is housed in the studio's equipment room. Many of their projects are edited on Adobe Premiere Pro. "Being able to protect our projects is big," says Biscardi. "More than anything it's huge peace of mind. The project locking is taking care of the kinds of things you don't want to think about while you're working."

6 Signs Your Video Editing Team’s Workflow Isn’t Working

Ever get that feeling no one can really relate to the problem you're having? Well, you might be happy to know that we hear from editors all day long — some from huge companies, and others from newly formed teams — and there's definitely a pattern: Without the right storage solution in place there are several common challenges that come up time and again from potential new customers. We created this two minute animation to identify the six most common problems workgroups face, and to give an introduction to the workflow problems that can be solved with the EVO shared storage system.

To Produce “Alaskan Bush People” for The Discovery Channel, Park Slope Productions Turns to EVO

Park Slope Productions is an award-winning producer of original programming for the likes of OWN, TLC and MTV, and knows what it takes to create engaging television. The production house pores over hundreds of new programming ideas all the time. So when an associate producer came upon a family of nine living "off the grid" in the rugged Alaskan wilderness, the Park Slope team knew it had found something unique.

SNS EVO Boosts Production for one of Australia’s Premier Post Houses

Choosing the right solution to enhance their Avid based workflow and fit their budget was a task not taken lightly by ZigZag Post. The decision paid off as SNS EVO expanded their production capabilities right out of the box, allowing editors to focus on their creativity.

SNS EVO Redefines Award-Winning Gorilla’s Production Workflow

Gorilla required heavy editing, VFX work, and a fast turnaround time. The production team of six editors, three VFX artists, one Colorist and a Composer needed to easily access project files. With EVO's video project and sharing abilities, the team was able to access their files simultaneously.

Met Film Post Brings on SNS EVO as Central Hub for Production Workflow

Studio Network Solutions’ (SNS) EVO Shared Storage Server Supplies Collaborative and Cost-Efficient Workflow Solution for UK’s Award-Winning Met Film Based at Ealing Studios in London, the oldest continuously working film studio in the world, Met Film Post is one-third of one of the UK’s most remarkable film organizations, Met Film. Met Film combines three leading-edge companies, Met Film School, Met Film Production and Met Film Post. By providing hands-on professional experience for students, award-winning productions and front line post-production technology services, the vanguard organization creates a unique and a symbiotic working setting for aspiring filmmakers and established experts. When Met Film Post needed to make a significant change in their post-production workflow, they turned to SNS EVO to provide a more accessible, collaborative and cost-efficient shared storage solution. “We were looking for a system to replace our Xsan that would allow us to do shared collaborative Avid offline services,” stated Matthew Troughton, Senior Colorist and Online Editor at Met Film Post. “Bringing the EVO on-board allowed us to fully provide Avid offline and online services. Prior to EVO, our editors were not able to work collaboratively on projects in such a developed way. EVO gave us the flexibility we needed and immediately increased our productivity.”

Spaghetti Media uses EVO to create SME work for ABSA documentary

A 50 minute documentary produced by Spaghetti Media, was flighted in Ster Kinekor Cinemas concurrently all over South Africa. Commissioned by ABSA Business Bank, and conceptualized by Cando Advertising, the documentary showcased the growth of a number of SMEs, which today are well known brands in their fields. Spaghetti Media produced the documentary in 49 days, making for extremely tight deadlines for a project of this nature. The team created every element of the movie from shoot to final mix. Spaghetti Media worked with director Nick Brown and a small crew for the 12 shoot days. Spectrum were responsible for Quality Control and encode, and were extremely accommodating in allowing the Spaghetti team to QC the job in small batches.

Pixl Family Raises the bar on global production with SNS EVO

Pixl Family Founder and Executive Producer, John Lundberg has a lot on his plate. With over 40 global brands and agencies trusting the company to promote them including, Samsung, Red Bull, Nike ACG, Oakley, Peak Performance, Grow, Great Works and more, Pixl Family has quickly become one of Europe’s leading creative production houses. So when it came time to update their production pipeline, they needed something that would live up to the highest level of quality, SNS EVO delivered.

Kukl Streamlines Video Workflows with SNS EVO Shared Storage System

Founded in a garage in 1998, Kukl started out as a small rental company for the film and television industry in Iceland. Demand quickly grew to include production and post-production services, and today Kukl is a leading supplier of equipment and services to Icelandic and foreign productions offering a complete workflow from pre-production to final completion. Kukl’s projects range from live satellite shoots to feature films. To fully utilize its investment in computer hardware in its Audio-Video Operations Center (AVOC) and edit suites Kukl needed a fast and reliable SAN. Kukl mostly relies on Apple Mac Pro’s running Final Cut Studio with two Mac Pros used for ingest/playout in the AVOC and four edit suites, in addition to a finishing suite. Many of its projects have to move from one video system to another, and they felt the best solution for that is SAN on fiber.